Warli is one of the oldest forms of Indian folk art and has its origins in the Warli region of Maharashtra. This form of tribal art mainly makes use of geometric shapes such as circles, triangles and squares to form numerous shapes depicting life and beliefs of the Warli tribe. In olden days, Warli art was done on walls on special occasions. The painting would be done over a brown background which would basically be a mixture of mud and cow dung cakes. The white pigment used to draw shapes and figures would be a mixture of rice mixed with water and gum. One of the most popular themes in Warli art is a spiral chain of humans around one central motif. This in accordance with their belief that life is an eternal journey, and it has no beginning and end.
The Warli Painting tradition in Maharashtra are among the finest examples of the folk style of paintings. The warli tribe is one of the largest in India, located outside of Mumbai. Despite being close to one of the largest cities in India, the Warli reject much of contemporary culture. The style of Warli painting was not recognised until the 1970s, even though the tribal style of art is thought to date back as early as 10th century A.D. The Warli culture is centered on the concept of Mother nature and elements of nature are often focal points depicted in Warli painting. Farming is their main way of life and a large source of food for the tribe. They greatly respect nature and wildlife for the resources that they provide for life. Warli artists use their clay huts as the backdrop for their paintings, similar to how ancient people used cave walls as their canvases.
The lack of regular artistic activity explains the traditional tribal sense of style for their paintings. In the 1970s, this ritual art took a radical turn when Jivya Soma Mashe and his son Balu Mashe started to paint. They painted not for ritual purposes, but because of their artistic pursuits. Jivya is known as the modern father of Warli painting. Since the 1970s, Warli painting has moved onto paper and canvas.
Coca-Cola India launched a campaign featuring Warli painting in order to highlight the ancient culture and represent a sense of togetherness. The campaign was called "Come Home on Deepawali" and specifically targeted the modern youth. The campaign included advertising on traditional mass media, combined with radio, the Internet, and out-of-home media.
Warli Painting is traditional knowledge and cultural intellectual property preserved across generations. Understanding the urgent need for intellectual property rights, the tribal non-governmental organization Adivasi Yuva Seva Sangh helped to register Warli painting with a geographical indication under the intellectual property rights act. Various efforts are in progress for strengthening sustainable economy of the Warli with social entrepreneurship.
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